Dimensions: H: 29 in / 74 cm | W: 37.5 in / 95 cm | D: 22.5 in / 57 cmDescription
Constructed in goncalo alves, having an inset Florentine pietra dura platform; of free-standing, turned and tapering end support form, with inset castors to the bipartite scrolled block bases, with claw feet; the apron having two drawers, fitted with turned wood handles, and two faux drawers to the obverse; the rectangular radiused corner platform has a running gadrooned edge, and houses the Florentine top, set with a central panel showing a bird in a peach tree, and examples of specimen marbles including Lapis Lazuli, Sienna Gallo, Verona Red, and Roman Breccia, inter alia. Circa 1825Biography
The founder of the Gillows dynasty, Robert (1704-1772) rose from humble beginnings as a provincial joiner, and evolved into a consummate businessman following a pursuit of excellence throughout his life. Founding his business in 1730 he expanded his furniture making activities to include the direct import of quality West Indian timbers especially the finest mahogany.
His talents as both a cabinetmaker as well as innovative designer brought him early success, and, bringing his two sons, Richard & Robert, into the business, he expanded his Lancaster showroom, to include another in London’s Oxford Street. The clientele now included the Government, the aristocracy and the burgeoning middle classes. His furniture had gained its’ reputation for excellence of workmanship, and materials employed, and coupled with his insistence on being at the cutting edge of design kept the company to the fore throughout its’ one hundred and seventy year history from 1730 until its’ amalgamation with Messrs S.J. Waring in 1900.
Throughout this period it was the largest manufactory of furniture in England. The fortuitous survival of the Gillows records in their Estimate Sketch Books show over 20,000 designs and are preserved in the City of Westminster Library. Furniture made by Gillows is to be found in Royal collections and museums throughout the world. The recent publication of Susan E. Stuart’s scholarly and invaluable study on the company, published by the Antique Collectors Club is a masterpiece of its’ type, and a wonderful exegesis of the company.
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